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This week I have been photographing my work for the catalogue that is being produced for the forthcoming exhibition, (see Exhibitions for details).
It is always the same, with nearly three years to prepare for this exhibition everything gets squashed into the last few months including the photography.
It has always been my job to photograph my work and a challenge that I have enjoyed. In the beginning I had to do it because I couldn't afford to pay a photographer, I still cannot, but now I would not consider employing anyone else because creating the images of the pieces at least gives me some control over how my work is presented. It also helps me to see the work, the good bits and the bad bits and draws attention to anything that doesn't quite work on the actual piece.
The pieces that are easy to photograph are usually ( but not always) the ones that work best in reality. In this instance I took over 800 photos to arrive at 32 that I was happy with, something that was not possible for me prior to digital cameras because of the expense and time delay.
The accidental photos or the ones where I am just 'playing' with the piece the light and the camera are often for me very interesting, although they don't necessarily show what the audience for these images is wanting to see - a dilemma.
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